Journal Honolulu, Hawai‘i Field notes 2026
Journal

Field notes

From the businesses we build

Notes from the work. What we are noticing across the businesses we build and back, the calls we made and why, and the things that turned out to be true.

01 June 2026 · Hello Again

The coffee shop site knows what time it is

The Hello Again site changes with the day. Morning, it is butter yellow and says good morning. After noon it flips to a dusk color and the words change with it. Here is why we bothered.

The whole brand is built on one idea, real connection at the speed you actually live. The thing it is up against is screen exhaustion. Everybody is fried from staring at feeds, and what they are actually hungry for is the small human stuff. A stranger remembering your order. Someone getting your name right. So the site had to feel like that, not like another app asking you to scan a QR code.

A coffee shop kind of lives or dies on whether you feel like a regular. And a regular is just someone the place clocks before you open your mouth. Making the site know if it is morning or afternoon, and greet you for it, is the same move as the barista already starting your usual. A small signal that says this place is paying attention.

The color took a few rounds. I had an orange-ish thing in there at first and cut it, orange was never in our palette, it just snuck in. Went to a pale butter for the mornings and our actual brand gold for the accents. The type took even longer. Started on Fraunces, loved the idea, hated the quirk up close, the letters were doing too much. Landed on Playfair. Warm, a little editorial, knows when to get out of the way.

Last one, and this is a pet peeve. You tap order on a drink, it should take you to that drink. Not dump you on a menu to go hunt for the thing you already decided on. So every order button deep-links straight to the item, prices matched. Sounds basic. Almost nobody does it.

Most shops stick their hours in a footer and call it a day. We made the time of day part of how the place feels.

02 June 2026 · Montaic

Every agent's website is the same website

I went down a rabbit hole last month clicking through real estate agent sites. Dozens of them. They are all the same site. Couple holding keys in the hero, a Search Homes bar, some gold serif nobody actually picked that just came with the theme. Swap the names and no one would catch it.

We have a test for this at the studio. If a competitor could run your website without it feeling wrong, you have not done your job. Every one of these fails it. And that is wild when you think about who these people are. They spent years getting good, building a name, living off referrals, and then they rent the same page as the agent down the hall. The site quietly tells everyone they are interchangeable. That is the exact opposite of what a brand is for.

The reason it happens is the tooling. The big platforms hand you a template and an IDX feed and call it a website. It technically works. It is also why they all rhyme. Listings come in as data dumps, beds and baths and a price, and the site treats every house like a row in a spreadsheet.

Montaic came out of being annoyed by that. The answer was never a prettier template, prettier is still a template. It is treating a listing like it is worth writing about. One house, one story, told like it matters, in a voice that actually holds. A real description instead of a feature list. Do that and the listing reads like an editorial feature instead of a search result, and the agent stops blending in.

Obvious when you say it out loud. Rare enough that just doing it puts you ahead.

03 The origin · Hello Again

I couldn't build the shop until I had the name

Here's a thing about me. I could not focus on a single other part of opening Hello Again until I had the name. Not the buildout, not the menu, none of it. I'm a marketing guy, so a name isn't a label to me, it's the mindset everything else gets built off of. Until I knew what we were, I had nothing to build on.

And it was hard. I knew the feeling I wanted and it was a tightrope. Friendly, but not the fake too-friendly that makes you suspicious. Inviting, but not grandma's-house. Some attitude, but never rude, and never that fake-cool thing where a place acts too good to say hi to you. Every name I tried landed on the wrong side of one of those.

Here's what I actually wanted to build, and it has almost nothing to do with coffee. A coffee shop isn't a place you get a drink, it's where the real stuff happens. First dates. Catching up with a friend. Editing photos all afternoon. Your home base when you're in a new city. The midday reset after lunch. It's my happy place, honestly. So I wasn't naming a coffee shop. I was naming a room where people feel like they belong.

I love the other shops in town, by the way. They all have their thing, speed, comfort, specialty, whatever. I just wanted ours to be the one where everyone talks to everyone. Where regulars know the other regulars, and a tourist who walked in for the first time leaves having caught the energy of the room, not just the caffeine. The shop I'd want to find if I were the one visiting Honolulu. It's not what it is because of the place. It's what it is because of the people.

The name showed up the way these things always do for me, right before bed. The neighborhood shops I've gone to for years greet me with hi Lance, or hello again. They'd been saying it to my face this whole time. It popped into my head one night and I just knew. That was it. An uncommon name for an uncommon kind of coffee shop. Then I could finally go build the rest.

04 The origin · NeverRanked

You're either part of the answer or you're not

I've used AI since the first ChatGPT dropped, and I never really stopped. Claude, Gemini, Perplexity, Cursor, Codex, the whole spread, for work, for figuring out the business, for dumb life questions at midnight. It's just how I think now.

Then one afternoon I'm out getting coffee and matcha with some friends and one of them asks, hey, does Hello Again come up if you ask ChatGPT for the best coffee in Honolulu? So we tried it. We did. Answer three, maybe five. Not the top, but we were in there, and honestly I was stoked we made the list at all.

But it stuck with me the rest of the day. There are dozens of great coffee and matcha shops in Honolulu. Why did it name us and not them? Some of them are better known than we are. How does the thing even decide who to mention? That question would not leave me alone, and I went down a rabbit hole that turned into NeverRanked.

Here's the shift nobody's really sitting with yet. We've all been building websites for people, and that's still right, it still matters. But the way people actually find things now is they ask an AI, and the AI just hands them the answer. No ten blue links to scroll. Nothing to click. If the model can't see your site, or doesn't know you exist, you're not buried on page two anymore. You're invisible. You're just not in the answer.

So that's the whole game now, and it's a different game than the one everybody's still playing. It was never about climbing to the top of a list of links. It's about becoming part of the answer, and staying there when someone asks the question you do business in. That's what NeverRanked is for. Knowing whether the engines see you, working out why they cite who they cite, and making sure your name is in the reply. The name's the point. Ranking was the old fight.

05 The origin · Montaic

What if you could just hire a version of yourself

I run a marketing agency and I've worked extensively with real estate agents, so I've had a front-row seat to the actual problem. It's content. Constant content. Good content, fast, usually at a moment's notice. A listing goes live and it needs a description, social posts, an email, a just-listed graphic, all of it, today, because the house doesn't wait.

And that's just the marketing. The average agent is also their own social media manager, their own CRM, their own follow-up system, their own assistant. They're chasing leads, checking in with past clients, coordinating paperwork, posting just to stay visible, all while actually trying to sell houses. The good ones are buried. The great ones are buried and exhausted. Most of them are duct-taping ten different tools together to keep up, and half those tools sit unused because who has time to learn them.

So here's the thing I kept coming back to. What if you could just hire a version of yourself. Not a tool you have to operate. An actual assistant, one with taste, real taste, at a high level. It knows how you write and how you sound. It knows the call you'd make before you make it. It takes initiative instead of waiting to be told. It doesn't just do the task, it does it the way you'd want it done, and it does the stuff you'd otherwise skip or half-do because you're slammed.

That's Montaic, and the assistant is Benjamin. The whole idea is that one assistant with taste replaces the pile of tools and just does the work, the way you would, so the agent gets to go back to being an agent.

It's the thing I always wished I could just hand the agents I work with. So I built it.

06 The origin · And Scene

I didn't expect improv to be that hard

I've always been drawn to funny people. Comedy as entertainment, sure, but more than that, a real sense of humor is one of the first things I notice in someone and honestly one of the things I find most attractive about a person. Standup, SNL, Whose Line Is It Anyway, I grew up on all of it.

My business partner Carl bought me a set of improv classes at a school here in Honolulu, kind of as a fun thing. I was not ready for it. Two things hit me right away. One, improv is genuinely hard, way harder than it looks. Two, it's mentally draining in a way I didn't see coming. It's a real skill. And here's the part that stuck with me, it's a skill that's entirely about other people. You can't do improv alone or in your own head. The whole thing is collaboration. You have to listen, you have to say yes, you have to build on what the other person just handed you, or the scene dies.

Carl had come up through Second City in Chicago, the world-famous one, so he knew the real version of this inside and out. We were sitting over coffee one day talking about it, and it clicked. Everything that makes improv hard is the exact stuff companies are desperate to teach their teams. Listening. Trusting each other. Thinking on your feet. Making your teammate look good. Building instead of blocking.

So that's what we built. And Scene brings world-class corporate training to Hawaii, except the delivery system is improv. Not a slideshow about collaboration, the actual reps of it. You learn to work with people by working with people, live, on your feet. Turns out the funniest room and the highest-performing team are running on the same muscle.

And scene.